Last week, NBC's Al Roker and Savannah Sellers presented independent journalist Amy Westervelt with Covering Climate Now's Audio/Radio award for the Mad Men season of her climate change podcast Drilled, which focused on the 100-year history of fossil fuel propaganda in the United States.
See the full list of winners at The Guardian.
The
award comes as Amy Westervelt is preparing to launch the next phase of that
research, her new project Rigged, a massive multi-platform archive on
the history of disinformation, going live October 26 (just ahead of the
scheduled disinformation hearings in Congress later that week).
Amy
explains the project's genesis:
"I started Rigged because I realized
I had hundreds of documents on my desk that weren't doing any good
there, and that could be useful to other reporters working on stories
about disinformation, ranging from climate denial and Covid hoaxers to
the Big Lie around the election.
"There's a general sense out
there that disinformation is a relatively new thing, and I think it's
important for people to understand that it's more than a century old,
that Americans--not Russians--invented the techniques we're still seeing
today, and that it was created largely to help American industry
circumvent democracy when it needed to."
Critical Frequency shows are billed as answering the questions: how did we get here? And how are we going to get out?
Named
AdWeek's 2019 Podcast Network of the Year, Critical Frequency was
founded in 2017 and has produced a total of 24 shows, including
forthcoming co-productions with Stitcher's Witness Docs and Crooked
Media.
Drilled was also one of the first climate podcasts, started independently at a time when host Amy Westervelt was told again and again there was no audience for such a thing. Turns out, there was, and Drilled has remained at the forefront of the climate-pod movement as it has exploded in the last couple of years.
Sure, there are numerous podcasts about climate change. But it's an expansive topic that offers podcasts a wide berth to follow a multitude of eddies and currents that run through the climate change discussion.
Drilled does not play the role of climate change proselytizer. Instead,
the podcast takes a "boots on the ground" view of climate upheavals
through personal stories and the consequences of "ostrich in the sand"
denial.
Westervelt
brings sonic excellence to the podcast and deftly foreshadows the sense
of future danger without dismal doomsday warnings.
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