I admit upfront this number is sketchy. Approximately 25 percent of all podcasts are interview podcasts, where a host or co-host interviews a guest, or guests. That is often a default format for podcasters because they believe that preparation is much easier since you are not researching a topic like the Bolivian Striped Mosquito (Not a real bug).
Here's the thing. Conducting an interview is hard. It's one of those activities that seems easy and seamless, yet it has the degree of difficulty of a Reverse 2 1/2 Somersault springboard dive.
Check out Elaine Appleton Grant's Sound Judgment podcast for how to conduct an interview. It's a masterclass. Grant will tell you that anyone can do an interview, but only a few can do it well. Then she will help you learn to be a more skilled interviewer.
My point here is that interview podcasts done well are worth the time. Those podcasts with a celebrity or celebrities who once worked together on a TV show in the 90s and now hold "unfiltered conversations" with a guest who is selling a product, service or themselves are self-replicating in the audio world. It's branding that is blunt force trauma, battering listeners with the same three talking points the guest was given by the P.R. team.
To blunt some of my snobbishness about interview podcasts, let me recommend an excellent one -- the New York Times' The interview podcast.
Unlike most marketing hard-sells, this podcast delivers on its promise.
So far, the podcast has interviewed famous people about what's changed in their lives, not a rehash of their past achievements or a platform to sell their latest project.
Another recent episode had Julia Louis-Dreyfus. Here's the podcast setup to that interview: "At some point in almost every performance she gives, Julia Louis-Dreyfus has this look. If you’ve watched “Seinfeld,” “The New Adventures of Old Christine” or “Veep,” you know it — the perfect mix of irritation and defiance. As if she were saying, Try me.Louis-Dreyfus’s performances in those shows — from the eccentrically self-actualized Elaine Benes in “Seinfeld” to the completely un-self-aware Selina Meyer in “Veep” — were comedic master classes. But in recent years, she has been moving toward more introspective and serious work."
This week is tennis great Serena Williams. Here's the podcast listening proposition: "A lot of people reach middle age having achieved some career success and ask themselves: Well, now what? Apparently this happens even if you’re Serena Williams."
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